Archive for December, 2007

Nice review of Hustle & Flow Dont Mess With Us EP hitting the shelves ANY day now

Wednesday, December 26th, 2007

This time with New York Duo, Hustle & Flow AKA Ryan Kick & Brian Anderson. The pair have recently seen their debut vinyl release drop on new bootleg label Undercover Lover, & earlier in the year “supacrime” dropped on Milwaukee digital imprint soul fuel, as well as sitting at 1 on Stompy.com top 100 consistently for over a month with their “Mixed Signals” digital release on Detroit imprint Kolour Recordings. This year is set to be massive for the duo, with forthcoming releases on Aroma’s sister label Second Smell, Tango, Chunky Traxx, Control, Herbal Essence, Jack the system, Bassmint recordings, Greenhouse Recordings & also with DJ Heather licensing the pair’s debut on Greenhouse recordings to the new House of OM Mix Compilation. They are also currently setting up their own new stable, everyday people, the first release being scheduled sometime in the fall of ‘07.

“Don’t Mess with us”, has been doing the damage everywhere when played over the last 4 months or 5 months, with its tough kicks, chuggy bass line & a haunting sax riff that sends shivers down your spine, finished off with some excellent cut vocal samples “Rapping’ Kids… Don’t mess with us!” This track is exactly what we have come to expect from this white hot act currently doing it proper on the East coast.

Backed by a solid reworking from, Magnetic Recordings’, 1200 Warriors turn the original monster into their own. Very similar to their recent outing on Detour Records, with phat quirky beats & a breakdown that will drive the dance floor insane. These guys took the time away from producing their forthcoming magnetic album to get this one in the can & this has proved to be massively popular with the likes of DJ Sneak, Chuck Daniels & Jason Hodges & absolutely massive in Miami 2007, most famously dropped at the Robsoul Beach Plaza Party, “nuthin’ but crack”. If you dig what these guys have been doing in recent months look no further.

Label Co Owner & rising star Craig Hamilton turns in another solid offering also, with his unique style of beats, sticking close to the original version adding a new dope set of Rhodes chords, choppy Glitched vocals, solid layered percussion all adding to the overall feeling of the track & even sampling retro video game super Mario brothers. When this cut kicks after the breakdown, the floor will shake as the bass rips through any system it has been dropped on. This has been receiving massive support from Chicago based The Sound Republic, Andrew Macari, Rob Brown, Thomas White & the usual suspects

Click on The Picture Below to Check out the Hustle & Flow Myspace!

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Vizion 1 Does it Again with an Awesome Erick Morillo Show!

Sunday, December 16th, 2007

Luis Evans and his company Vizion 1 Entertainment have proved once again that they throw the best shows in Florida. From experience I know that it takes a lot of hard work, dedication, and preparation to put on a show with Erick Morillo @ House of Blues in Orlando. Especially, because you never know what is going to happen when someone is performing their 1st time in Orlando. Erick Morillo doesn’t come cheap, because he is one of the busiest DJs and Producers in the world. The four months of planning and flyering for the show was evident leading up to the event. From years of experience, Vizion 1 really understands how to market towards the Florida electronic music community and give us more than we are expecting. After their shows we always leave happy and with a feeling that our money was well spent.

During a large portion of the year, Erick Morillo had more gigs than even Tiesto. He was playing almost every day. Along with running Subliminal Records, one of the most notorius record labels in the world, its amazing to see how he is able to manage his busy schedule.

The show itself was very impressive. The lighting, the 5 flatscreens and the FX were amazing on stage. Carlos Mendoza opened and he really got the dancefloor moving. I was very impressed. He was also promoting his new cd, which is off the chain. I would definitely try to book him. He’s full of electricity. Oscar G from Miami’s Space club threw down too. His tribal progressive house is always tight.

Of Course, Erick Morillo was off the meters!!! I have heard many times from people in New York and everywhere else how great he is. I finally got to see it for myself. He tore it up! He played for the crowd for sure, mixing his style of tight house anthems with magnetizing vocals. Erick Morillo was born in New York, but raised in Colombia. His support was out in full force and was definitely represented on the dancefloor. Erick Morillo left a lasting impression on all of his for his 1st appearance in Orlando.

Thanks Luis, Vizion 1 and House of Blues for putting on a very memorable show. Get ready everyone for Dirty South @ Zinc Bar on December 28th and Gabriel and Dresden @ Dolce Nightclub on January 18th.

For more info about Vizion 1 click on the logo below.

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Check out Erick Morillo’s Subliminal Records site by clicking the logo below

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Luis Evans and Erick Morillo
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Neon Stereo vs. Marcie- F*ck Me Baby-System Recordings track review

Monday, December 10th, 2007

CLIMBING THE BEATPORT CHART!“Neon Stereo vs. Marcie- F*ck Me Baby” (System Recordings) has charted at #59 on the Beatport Electro House chart after only 5 days out!

I’m loving this release. It definitely gets the hormones rushing! All the mixes are solid, but I especially like the Toxic Avenger remix who bring in some heavy, off the wall French/German Electro. Its bangin’ and bad ass for sure.

The track that has been described as ‘HEATED SEXUAL FOREPLAY’, and ‘PANTS DOWN THE SLUTTIEST ELECTRO HOUSE TRACK OF THE YEAR’ features remixes by Rolling Stone acclaimed Producer, Toxic Avenger & Ed Banger Records extraordinaire, Krazy Baldhead

MARCIE: An Internationally Renowned Singer/Songwriter and Recording Artist with releases on various Major Electronic labels like Robbins, System Recordings, Flashover, Deepblue, Shah Music, Real Music, and more. Her tunes have had the support of the likes of Armin van Buuren, Paul van Dyk, Dave Pearce, Markus Schulz, DJ Shah, Solarstone, Gabriel & Dresden, and Aly & Fila.

NEON STEREO: With remixes for heavyweights such as Steve Angello, Andy Caldwell and DJ Ricky Stone alongside a big line up of upcoming original productions on premiere labels such as System Recordings, 852 Records and DJ Zimbardo’s Benchmarc Records, in 2007 Neon Stereo has claimed his place as a world class producer.

TOXIC AVENGER: Check his favorable review in this months Rolling Stone! BPM Magazine says: “Toxic Avenger is quickly rising as the premiere Frenchman taking the dancefloor to a new level.”

KRAZY BALDHEAD: Ed Banger Artist and huge name in France!

Go Ahead and buy this EP on Beatport
Click on the Image below

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Marcie Presents: Behind The Lyric- Episode 2

Monday, December 10th, 2007

Are there any Artists with whom you wish you could sit down, and as their track plays, ask them to speak of the story behind their music? Now there is a radio show that brings this dream close to reality.  “Behind The Lyric” is a new broadcast produced by International Major Label Artist, Marcie.  The show is dedicated to giving a conversational touch to the vocals in Electronic dance music. Marcie asked some well known Singer/Songwriters in the EDM scene to speak freely about the meaning behind the lyrics of their own tunes. “Behind The Lyric- Episode Two” features a stellar cast of Songwriters and Vocalists sharing their stories. The spoken words of Marcie, Aruna, Anita Kelsey, Sleethief, Dhany, and Colleen Kelly are mixed on top of their tracks, and the listener can journey intimately along with the Artists and their music.  You can hear ‘Behind The Lyric on Marcie’s website as well as on various EDM stations. Here is a glimpse into what you will hear in Episode Two.  Marcie discusses writing as self-healing. She mentions how the passion and uncertainty surrounding an impulsive hook-up inspired her lyrics for ‘Know You’. Her tune ‘Next To Me’ speaks of secrets and fantasies while being cryptically confessional at the same time. Aruna speaks of writing ‘I’ll Be Waiting Here For You’ on a deadline, her approach to melody and rhyme scheme, and her tips for aspiring writers seeking to better access their creativity.  Anita Kelsey reveals the surprising background stories for two of her most popular releases, ‘Travelling Light’, and ‘First Time’. She also touches on the intended meaning behind a seemingly controversial line. Sleepthief’s Justin Elswick tells of the Celtic influence on the ghostly ‘Tenuous’, and his use of inverted metaphors in ‘Just Say It’ to convey the sense of taking a loss in order to break co-dependent ties.  Colleen Kelly speaks of writing ‘Remember Me’ to capture the feeling of longing lovers have when they hope to be remembered across time and distance. Dhany speaks of the risks we take when our hearts and minds disagree. She tells of how her own broken heart inspired the powerful stance she takes in ‘Hit My Heart’, and her desire to celebrate strong women who command respect from men.Â

Future episodes in progress, and will feature incredible Artists with more riveting looks behind the lyric.Â

For More Info Click On The Image below.




For More Info Click On The Marcie Image

Danny Tenaglia’s Message Regarding His Contracts with Venues and Festivals

Sunday, December 9th, 2007

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To all my many colleagues and mentors in the world of DJ-ing, clubbing, nightlife and Dance Music, I have copied 100s of people on this e-mail and I “encourage” everyone to please forward my words to as many of your colleagues as possible. And please pardon my very deep frustration, but I simply need to get this very sore subject off my chest once and for all, because:Enough is Enough!Dear Friends,I am writing this letter here to all of you for your support today on Tuesday, September 4th. of 2007 as I feel this is a letter of great importance - not only for me, but for all of us “United Together As One” to further protect ourselves from such a “criminal act” that was recently done to me at a venue in Italy called “Clorophilla” last month on August 8th. This is not the first time such a “crime” has been committed against me, as I am sure many of you can relate, or have heard of such stories from other DJ’s and live acts that have had similar crimes committed against them. This crime is also against all of the artist who’s music is now illegally being passed around with no contracts and at the end of the day, what is being passed around is a “bootleg” compilation where no artist receives a penny from it!I am even speaking now of times long before the Internet where some people have confessed that they had recorded various DJ’s sets, but they were only for their private listening pleasure and were never passed around. Today, I am through with such sLiMy people and I am letting the world know it. I am sure I will have to deal with all sorts of repercussions but I am willing and ready to defend myself and all of you while doing so. I can only hope and pray that I have everyone’s support in doing so.

Basically, as it is written in my contract that the venues are not allowed to record my sets, and we are very precise about it by saying it both on paper and in person upon arrival to remind them of how important this act of crime is against me and ALL of the artist that I choose to select their productions and place them in my sets. This has happened to me in the past at other venues and festivals, and I thought we were being as strict as we can possibly be by enforcing this and “kindly” reminding them to please make sure that no other DJ booth, lighting or sound area is hooking up a CDR/DVD/DAT or modern external hard drive device that can easily, unknowingly and illegally record an 8 hour set without one single interruption.

Unfortunately, it brings me great disappointment to share with all of you that I and my associates were completely lied to 100% on August 8th at Club Clorophilla in Italy. It was the celebration of Ferrogosto Week. This is when most of Italy celebrates summer and take seasonal vacations, etc. I did a three city tour that ended in Rimini. I have to say that all three gigs were quite impressive with a turnout of 1000s of people in attendance and all of the venues were full beyond capacities.

All of the gigs went extremely smooth and I came back to NY a very happy person, until Friday, August 31, ‘07 when I discovered and 100% validated with my very own ears a “part one and part two sets” that was most definitely me being illegally recorded at Clorophilla.

As hard as I may try, words cannot even describe the anger I am feeling at this time, as well as such incredible disappointment against these people and this venue Clorophilla who “at the time of the gig” showed me wonderful hospitality, great admiration and respect. I, in return gave them the best of myself and the venue was still packed at closing time around 7am with everyone screaming for more and more!But we had to stop by law and it all ended very well and I was happily on my way to the next city.But, that is until this week when I heard that my set was being passed around by many, many people.I did not want to not believe it because several times in the past, some people have tried to push off old GU CD and other compilations of mine by saying it was me live at Pacha, etc, and lies of that nature …But this one here from Clorophilla I personally have confirmed it to be 100% LIVE from my set AND in total high quality! This was not a person on a dance floor with a modern recording device - as there is zero distortion. This was professionally recorded on the premises and I firmly believe this to be 100% true!Upon arrival and sound check, my assistant and dear friend from Italy Adriano had goneahead of me to do a full sound check and meet with Resident: DJ “Skizzo” (notice his name) - who was in charge of the sound and the booth set up.

As of right now, until further notice, I “Danny Tenaglia” am fully holding Skizzo as the person in chargeof lying to all of us and recording my set. Although my strong intuition now tells me many others knew! Adriano was there in the daytime and all was well. Adriano confirmed that after reminding Skizzoof my Anti Recording policy that Skizzo actually acted in response with a form of “semi annoyance” and with sort of an attitude by saying something like: “I don’t need to be reminded, we aresponsored by RANE and I would not record the DJ’s sets” ….Apparently, someone is lying through their rotten teeth? Underneath the console was a RANE Mixer and I did question it? I had requested a Pioneer mixer and Skizzo said the reason why the RANE mixer is there is because he decided to connect it to the Pioneer mixer in order to get a better overall quality from the sound system. I once againsaid to my assistant Adriano: please translate this and remind him of my No Recording policy!Well, here I am writing to all of you to tell you that we were all obviously very lied to, and I am now asking everyone here to please join with me, not only against club Clorophilla and Skizzo (and whoever else was involved) but to please UNITE with me together so that we “as artist” are no longer stabbed in the backs, deceived, lied to, and feel as violated as I do today! When we go into a DJ booth or onto a stage and perform, that is OUR art, and if we choose to not be recorded or filmed we should be entitled to this right.I honestly cannot imagine anyone here to disagree with me or feel that I am being irrational over this sore subject which is quite sacred to me? There are many professional ways to do this. For example, when I played at Exit Festival in Serbia they politely asked me if I minded being filmed for the first 20 minutes of my set after Paul Woolford and I fully agreed and appreciated them asking. That is where it’s entirely different. We no longer can have much control these days at all over the 1000s & 1000s of patrons with cameras and cell phones that also act as cameras and record us, but I have learned to accept this modern concept and I deal with it without any frustrations. However, in the case of this recent incident with Clorophilla - and last year at the Monegros festival where I signed an agreement to have them record the first 15 minutes of my set for radio promotions and hype, well they too lied to me and more than One Hour of my set was on the radio in Spain and then was downloaded and passed around, also including tracks I would never give away out of respect to the all of the artist and producers and labels involved.I will not go further in who else has disrespected my wishes to NOT be recorded, but there have been many clubs from Boston to Ibiza and I have had to go to the extent of asking my personal sound tech or assistant, or my manager Kevin to please double check the situation.

Another area to beware of is our sets being recorded from where the lighting people are, as we have on a few occasions now discovered “them” recording the DJ’s sets onto a DVD player, and several timeswere lied to (at first) and they said no, this is for visuals. We then retrieved the DVD’s or DATs, and sureenough it was 100% all audio as they were recording the entire evening of all the DJ’s that night!So, as I am trying to keep this brief, it’s almost impossible because I want this letter and one with a veryimportant message to be very understood as I only speak English and this is becoming an “International Virus” not just with Italy. I am hoping that my words get translated to every possible language from NY to New Zealand, etc. I have been doing this for almost 30 years now and I am as established as one can be. I am fully content with myself, my career and grateful to God that it has exceeded and far surpassed what I had ever envisioned and dreamed it could ever be more than 20 years ago! I am still overwhelmed with a great joy at what God has allowed me to achieve having traveled to 25 countries now and for what I have achieved in also creating some music as well.The last thing that I want to add here is: And this is from the deepest part of my heart and my existence …. Is that, my greatest reward that I hold so dear to my heart is having the wonderful gift of being able to say that I have met most of you personally. Many of us have now even shared the same booths togetherand I humble myself here to say to all of you that at the end of the day I am truly a fan of all of you.You have all inspired me in so many various ways from Deep house to Techno and especially with manyof you as Producers whom I revere highly for helping my career blossom as most of you have also helped me become successful as I have played all over the world playing so many of your productions and remixes.I can elaborate for days, maybe weeks, but this really is from my every fiber and I hope that you all can sense my sincerity and my deep gratefulness to all of you for helping me over the many, many years.I wish I had the e-mail addresses of 10,000 more people to add to this, but hopefully this message will be passed around and everyone will eventually feel me and prayerfully agree with me on this topic which is all about “r e s p e c t ” and I was totally and completely disrespected @ Clorophilla.I am not expecting everyone to reply or respond in any specific way. I just needed to get this off my chest and with the hopes that many of you may feel the same way and care if you are illegally being recorded or without any permission.

* When I play, I often incorporate accapellas’ and parts from masters that were given to me exclusively out of respect, or some may have been from my very own Productions. I have learned to be careful in what I use when away from clubs in NYC where I am 100% certain that I am not being recorded, and I feel I was still careful at Clorophilla because it’s still hard to trust people, even if they give you their word, which is exactly what happened to me there. Upon my first listen, I heard the first 5 seconds and it was 100% me triggering an exclusive accapella I have of Celeda singing: Pick yourself up, Pick yourself up, I knew instantly it was me, as this event was only 2 weeks ago and I had not used that accapella it a very long time.

This recording is 100% ME! There is no doubt whatsoever. Please share this message with all of our other colleagues that I may not have e-mail access to. Please inform as many DJ booking agencies as possible and once again, let’s please Unite Together in taking better action against venues and festivals, etc, so that we will no longer be recorded against our wishes and have “our artistic expressions” stolen from us!

I feel extremely violated today and this was the last straw for me. I told my manager and associates that I was preparing myself to spend this very lovely and sunny summer day indoors to write to all of you and get this awful situation of my chest in the hopes that it will bring me (and many of you that have been in my shoes) some Justice, Comfort and Peace of mind.

With all of my deepest RESPECT to everyone that reads this here extremely passionate letter!

Sincerely,

Danny Tenaglia

PS: These words are 100% from me. No one including a lawyer, manager, agent, associate or friend helped in any way to write this e-mail. This is purely from the deepest part of me. Sorry for the length of it as I guess this validates my anger at this time. Also, pardon any typos, I did my best to be as clearly understood as I possibly can.

PPS: I will try to reply to as many people as possible with any questions, etc. However, my mailbox is already backed up from previous travels and I am still here working very hard as I still have a very full summer schedule. If you have any other form of questions, please write to my manager Kevin McHugh at:

mailto:kevin@dannytenaglia.com